Mythic Time & Place in Emmanuel Lerona’s ā€œSa Taguangkan sang Dutaā€Ā 

by Genevieve L. Asenjo From https://filmfreeway.com/SaTaguangkansangDuta. Emmanuel Lerona’s adaptation of Alice Tan-Gonzales’ 2002 Palanca first prize Hiligaynon short story ā€œSa Taguangkan sang Dutaā€ (ā€œIn the Womb of the Earthā€) foregrounds time and place as a woman. And this could have been easily a nostalgia about a ā€œglorious past,ā€ even of a future that may never…

Self-Love, Finally, and Perhaps Queer Love in Julie Prescott’sĀ  ā€œIsa ka Pungpong nga Rosasā€Ā 

ā€œIsa ka Pungpong nga Rosasā€ (ā€œA Bouquet of Rosesā€) is memory & threshold: a modern love story of one woman’s trauma with men & her way to healing brought by a companionship of a queer acquaintance, a potential lover. It reckons with old-age and patriarchal notions of virginity — there has to be blood on the first sexual encounter — and psychological ghosts of sexual abuse manifesting as self-abasement. This is the core of the 1997 Palanca award-winning short story of the same title by retired University of the Philippines Visayas (UPV) professor Alice Tan Gonzales, adapted into a distilled screenplay with crisp dialogue in Hiligaynon-English by another award-winning UPV professor Kevin Piamonte, to the directorial debut of assistant professor Julie Prescott. With seasoned cinematographer, editor, and colorist Ruperto Quitag, together with Gian NiƱo Genoveza, this film in 43.34 minutes is elegant, tender, and polished.